Image oil painting and western modern painting

發布時間:2020-06-03 10:11

下面為大家整理一篇優秀的essay代寫范文- Image oil painting and western modern painting,供大家參考學習,這篇論文討論了意象油畫與西方近現代繪畫。意象油畫的創作題材不局限于都市生活,更多地是用水墨山水畫法表現人類對于自然界的喜愛和敬畏之情。畫家利用嫻熟自如的表現技法,傳遞出淡雅豁達、靈動灑脫的文人氣韻與精神格調。而西方近現代新表現主義繪畫則強調從藝術家的主觀感情和自我感受出發,排斥西方傳統繪畫的構圖法則和結構比例,用夸張、變形乃至怪誕的造型和強烈、刺激的色彩烘托都市生活中緊張、混沌的意識形態以及畸形、含糊的價值觀,以此來發泄內心對社會不安和不滿的情緒。

In the 1860s and 1870s, impressionism entered the art world with the attitude of innovating western classical painting. After that, a large number of painting schools emerged in the western world. The innovation of these schools of painting techniques and the change of ideas have been influencing the emergence and development of image oil painting, with impressionism, post-impressionism and cubism having the most far-reaching influence. The image oil painting borrows the advantage of the western modern painting form, but also has some objections with it.

Impressionism opposed the academic teaching methods and the single painting style of classical oil painting, and advocated realism. It advocated outdoor sketching, visually describing objects exposed to the sun, and rapidly recording the ever-changing world with its free and unrestrained brush strokes and close and close modeling. In the long period of sketching, they found that weather, season, time and other factors affected the color representation of objects, and gradually mastered the rule that light affected color relations. According to their own direct observation and feeling, the painter used the scientific color law to show the rich layers and subtle changes of the light color effect, thus getting rid of the brown color that had changed less for a long time. Image oil painting refers to the artistic effect of impressionism's natural and loose brushwork and the combination of virtual and real, but ignores the influence of natural light on the shape and tone of objects. Keen on the spirit of brush and ink in traditional Chinese painting, they often express complicated social situations with simple and generalized ink color relations.

Post-impressionist painter doesn't agree with impressionist flashes of light color changing effect in the nature of objective, argues that painting should be different from photographic art and reveal the subjective world, attach importance to the performance of self, that painting is the focus of the written form but what freehand brushwork in traditional Chinese painting, artistic image need to cast off the yoke of the objective image and presents the potential of the deformation and exaggeration. The theory of post-impressionism is similar to the theory of traditional Chinese painting that art works should seek to "spit out the nature in the heart". Cezanne believed that painting could not simply blindly imitate and copy the real world, and advocated to construct a strict and orderly color relationship through clearly visible forms, in order to seek the beauty of harmony between modeling and color. Van gogh loves color, he often with passion, enthusiastic, bold and unrestrained, bright color foil oneself to society, life subjective feeling and innermost feelings. Gauguin yearns for freedom and likes to paint freely and freely. He puts untempered pigments directly on the canvas and USES memory and imagination to express his "fantasy" of "primitive" and "barbaric" with simplified and decorative techniques. Van gogh and gaogden focus on the inner spiritual world and emotional appeals, and their works are permeated with the subjective expression of the real world from the inner feelings, and lead the audience to ponder over the Epiphany with their strong symbolic connotation. Liu haisu with national aesthetic psychology and aesthetic structure on over and post-impressionist painting form of heterogeneous isomorphism analogy research, put forward after the impressionist painting is rather than the reappearance of the performance, is a comprehensive rather than analysis, is to create rather than imitate art, after a certain level admiral impressionist painting and image oil painting link. However, the image oil painting is rooted in the Chinese cultural background and aesthetic psychology. Under the inspiration of the "intangible elephant", the image hovers between "like and unlike", with its structure and outline looming. The post-impressionism did not completely abandon the scientific and rigorous structural modeling in western classical oil painting. Under the relatively conceptual and simplified image form, its structure and outline were also clearly visible.

Image oil painters pay attention to the accumulation of inner emotional needs and representation of external objects. They often summarize and extract the structure and color of objects with the potential of "knowing everything in one's heart", and contain the Chinese charm of "dao dao nature" in their simple and plain works. Inspired by Cezanne's use of geometric forms to express nature, cubist painters weakened the narrative and expression of the works, classified the forms and colors of the images geometrically, and reconstructed them geometrically, striving to create structural beauty in the pictures. Analyzing cubist painters sublimated Cezanne's method of observing object images and rational analysis into the method of "simultaneity vision", that is, observing object images from multiple perspectives, and then combining the observed elements into the same image in a unified and orderly way in the form of block planes. Although there are still some concrete objects in the works, this is also a manifestation of the decomposition and reconstruction of the objects. On the basis of analysis of cubism, comprehensive cubism adds the deconstruction of color elements to the picture.

The poetic language of traditional Chinese painting is an important basis for the creation and evaluation of image oil painting. The painter absorbs the ethereal ink spirit of Chinese painting and focuses on the release of inner soul and state of mind to pursue the implicit and simple picture effect. The painter tries to deal with the problems of color hue, lightness and purity by the simple and introverted way of thinking of the Oriental. In the picture, he is permeated with gentle and elegant, implicit and quiet charm and style. Brutalism is fond of bold and outward expression, and its painting subjects are rough and bold. Ignoring the inherent volume and color changes of the object, simplified and abstract lines and colorful and thick monochrome are used to construct a two-dimensional plane effect. The painter often extruded the pigment directly onto the picture, and the brushwork was straightforward and bold, creating a strong visual impact, balancing the expression of emotion and the decoration of the picture.

The theme of image oil painting is not limited to urban life, but to express human's love and awe for the nature with Chinese ink landscape painting. The painter used the skillful expression techniques to convey the elegant and open-minded, flexible and free style of literati. He tends to express the beauty of picture schema to obtain the beauty of poetic conception. The picture does not see the impetuous publicity color, but in the highly unified and harmonious color relationship with rich and delicate, composed and elegant black and white gray tone. New expressionist painting emphasizes from the artist's subjective feelings and self feels, rejecting western traditional painting composition rules and structure proportion, with exaggeration, deformation and grotesque shape and strong, the color of the stimulus foil in urban life tension, the ideology of chaos and deformity, vague values, to give vent to the heart of social unrest and discontent. Neo-expressionist painting is the product of social and cultural crisis and spiritual disorder, which is especially prominent and strong in the era of social turbulence.

Image oil painting is rooted in Chinese traditional cultural background and national aesthetic psychology. It is good at expressing emotions in freehand brushwork and plays a role in influencing people's hearts and comforting the soul. Neo-expressionist oil painting focuses on people's spiritual thoughts and the spiritual expression of bondage, repression and loneliness caused by the society. It is good at expressing people's hope and struggle for freedom in the society. Compared with neo-expressionism oil painting, there is more a calm atmosphere, calm and harmonious Oriental charm. It can be seen that image oil painting is a metaphysical art, while neo-expressionist painting is physical.

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